Deduction videos

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More than 180 deduction videos (WAG and MAG) clearly illustrate execution faults, technical errors, and corresponding deductions as defined in the FIG Code of Points for Women’s and Men’s Artistic Gymnastics. This comprehensive educational resource supports judge education and ongoing professional development, while also enhancing coaches’, students’, and gymnasts’ understanding of the FIG scoring system and evaluation criteria.

New videos are added regularly, addressing current and relevant topics in line with Code updates and judging interpretations. This continuously expanding library is rapidly becoming a key reference tool for judges at all levels of the sport.

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Swallow (Hirondelle)

All errors about Swallow (Hirondelle)

Covered Chapters

  • 1/ Basic principles
  • 2/ Position shoulder
  • 3/ Deviation angular
  • 4/ Hip bend and arch
  • 5/ Common errors
  • 6/ Contact arms
  • 7/ False grip

Generally - Landings 2, "Hops" and "Steps"

Small step or hop = 0.1 ded
Large step or hop = 0.3 ded
Fall = 1 ded

Covered Chapters

  • 1/Step and hop
  • 2/Falls

POMMEL HORSE - Non handstand dismounts

body position > 29º over shoulder horizontal line = 0 ded
body position < 30º over shoulder horizontal line = - 0.3

Covered Chapters

  • 1/ Rules
  • 2/ Examples

Flops and combine elements

It is possible to combine certain elements on a single pommel. There are two types of such combined elements listed in the Element Group II:
1/ (flops) can only be of D or E value (i.e. 3 or 4 elements)
2/ Combined sequences on one pommel of circle and/or Stöckli A or B with Russian wendeswings

Covered Chapters

  • 1/ Flop
  • 2/ Combine elements
  • 3/ Sequences

Moy and giants, bend legs before horizontal body

Article 14.3

Moy and giants, bend legs before horizontal body

Covered Chapters

  • 1/ Moy
  • 2/ Giant

Rings - Non Recognition of Swing to Strength

If the entry position is more than 45°, the swing strength will not be recognised but the strength can be recognised (GRP II) if it is less than 45°.

Covered Chapters

  • 1/ Swing to cross
  • 2/ Swing to Swallow

Lack of extension at horizontal regrasping after saltos

Article 14.3:

Lack of extension at horizontal regrasping after saltos

Covered Chapters

  • 1/ Salto Backward
  • 2/ Salto Forward
  • 3/ Examples

Excessive hand separation and/or body deviation

Article 14.3

Elements Chiarlo type, excessive hand separation and/or body deviation (each).

Covered Chapters

  • 1/ Hand separation
  • 2/ Deviation

Pause/Stop during Makuts type elements

Article 14.2.2
3. e)

How to evaluate Makuts type elements with a pause or stop during the first part of the element

Covered Chapters

  • 1/ Pause
  • 2/ Stop

NL #37 : Handstand dismount

Article 11.2.1 Information about Exercise Presentation
3. Additional execution, technical and exercise construction expectations are:
i) A simple handstand dismount must cross the horse in order to be recognized.

Article 11.2.2 Information about the “D score”
2. Additional information and regulations:
c) Handstand
c.5) … However, if there is a large error, no recognition will be given for the handstand or dismount. In this example the gymnast crosses the body of the horse, then during upgrade attempt (turn/travel in handstand) made a large error and therefore will receive no upgrade, but will still receive a C value dismount.

Covered Chapters

  • 1/ Dismount error 180°
  • 2/ 1/ Dismount error 270°

High Bar - Entry for Adler elements

Article 15.2.1 Information about Exercise Presentation

f) For all Adler elements it is not required to enter from a handstand position.

Covered Chapters

  • 1/ Adler entry

Uncontrolled regrasping after saltos

Article 14.3 Specific Deductions for Parallel Bars:

Uncontrolled regrasping after saltos (0.3 or 0.5).

Covered Chapters

  • 1/ Salto 3/4

High Bar - Endo, Stalder, Weiler and Adler must continue over the bar

Article 15.2.2 Information about the D score

16) Endo, Stalder, Weiler and Adler Elements for recognition these elements must continue over the bar in the intended direction.

Covered Chapters

  • 1/ Differents elements

Bhavsar, body position on regrasping

If the gymnast regrasps with a body position of more than 45° from horizontal and/or a 90° angle in the shoulder, no value will be given and a single large deduction will be taken.

Covered Chapters

  • 1/ Deduction

Healy, Makuts: Non Recognition

If the landing with flexion of the arms > 90° then the element will not be recognized

Covered Chapters

  • 1/ Non Recognition

High Bar - Quast

Criteria for a Quast:

- Visible flight
- Rotation during flight
- Rotation finished and regrasp both hands within 15° from handstand
- All parts of body stretched
- No hollow back

Covered Chapters

  • 1/ Differentes penalities on Quast

High Bar - Yamawaki

Article 15.2.2 Information about the D score

9) The Yamawaki element must be straight when passing through a vertical body position over the bar for no deductions. An excessive pike or a poor vertical position over the bar will be deducted and could also lead to recognition of a B value flight element.

Covered Chapters

  • Yamawaki

Floor - Incomplete Twist

Attention must be paid to the position of the feet before or after the landing of saltos with twist.
The shoulder position is not reliable.

Covered Chapters

  • 1/ Differents fault on incomplete twist

Floor - Legs apart on landing

Article 9.4 E - Jury deductions

Video explain differents deduction for Legs apart on landing.

Covered Chapters

  • 1/ Legs apart on landing

HB- Zou Li Min

Article 15.2.2 Information about the D score

"A Zou Li Min executed with insufficient turning (greater than 90° deviation on first full twist) will not be recognized by the D-jury and receive a -0.5 deduction by the E-jury. This element may not be devalued to a Giant Swing Fwd. with one arm in undergrip (B value)."
One arm giant swing fwd. with 1/1 t. to el-grip and 1/1 t. to undergrip (Zou Li Min, Element I.27) cannot be combined with any other element for an increase in value.

Covered Chapters

  • 1/ Different deduction on Zou Li Min

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